I began doing cross-stitch a number of years ago, when I
lived in Russia. Long, cold, dark winter nights, small children and a limited
budget meant many an evening was spent in front of a miniscule tv trying my
best to follow the Russian tv shows. While watching, my spouse would regularly
work on some type of needle-work project. I grew tired of sitting idly, so I
asked her to teach me to cross-stitch. Besides being a way to pass the time, I
wanted to take up an activity where I could express creativity and see the
fruit of my labor. My various tasks at work provided little satisfaction in
this area, as they involved pestering co-workers for reports that no one wanted
to submit. I desperately needed an outlet where I had a definite goal and could
clearly mark my progress towards it.
In retrospect, cross-stitch was a natural fit for my nature.
At the time, those who knew I did it generally looked at me a little like they
would a misfit child. I appreciate that my spouse supported me. She taught me
the basics, then helped me when I’d get confused, or when I’d get a knot in my
floss, or any number of other problems that I’d encounter. My early works were
quite small. I eventually progressed to this somewhat larger, slightly more
complex piece.
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Completed somewhere around 2005 |
My spouse bought me a kit that looked like an ancient world
map. It took me a couple years to complete. I began working it in Tajikistan
and finished it after returning to the United States. My daughter bought me
this design, which took me over a year to complete. Both of those projects now
hang in my parent’s house.
Creating beauty through cross-stitch has benefitted me
beyond providing a way to keep myself occupied. As a recovering perfectionist,
working cross-stitch designs has challenged me to let go of my intense desire
for perfection in every detail. I don’t think I’ve ever finished a design
without a single mistake. I won’t say it’s impossible, because maybe some other
cross-stitchers can do it. But not me. I inevitably make mistakes. The more complex
the project, the more mistakes I will make. I had to learn, and it took a lot
of time to do so, that the mistakes don’t destroy the beauty of the pattern. In
fact, the mistakes are what make my project unique. Otherwise my finished
cross-stitch would look just like every other example of the pattern, since
these are mass-produced and marketed. My mistakes take a generic product and
make it personally my creative artwork, and that’s pretty fucking awesome. I
will correct some mistakes, but many times they cannot easily be corrected
without causing greater damage to the work as a whole. Sometimes I’ll leave
them simply because they are part of my unique work.
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March 2016 |
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July 2016 |
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October 2016 |
About the time I started my transition, I also began working
on a new cross-stitch project, my most complex design to date. This project has
become a very personal one for me, because of the specific design and because
the process of seeing that design emerge from the canvas has paralleled my own
journey seeing myself emerge. The blank canvas reflects the background of my
life, out of which something amazing and beautiful is emerging. Are there flaws
in this beauty? Yes, there are. Neither my cross-stitch project nor I am
flawless. But our flaws are part of what makes us unique. I don’t have to be
perfect, because I never have been and never will be. I still have to remind
myself of this message regularly, because perfection has always been a piece of
armor for me. On top of that, I came out of a religious background that told me
simultaneously that I had to be perfect, but that I could never attain
perfection, leaving me with a lifetime of frustration and self-disappointment.
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January 2017 |
I’m not saying that I don’t strive to do my best in my life,
just as I always strive to do my best work to realize the pattern in the
cross-stitch. But I’ve made great progress in showing myself gentleness when I
don’t succeed, when I don’t get the design just right or when something in my
life doesn’t go just the way I wanted it to. Life is full of beauty, and part
of that beauty lies in the unique imperfections of each person and situation.
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March 2017 |
Just like my own journey, this project moves forward in fits
and starts. Sometimes I make great progress. Then I have periods where I make
very little. Sometimes this frustrates me, because I feel like I should be
making steady progress all the time. But life’s not like that, whether we’re
talking about a cross-stitch project or a major life transformation. As someone
has said, life is a marathon, not a sprint. I have to remember that and allow
myself the freedom to adjust to the rhythm of life, whatever it may be at the moment.
I do look forward to completing this project. It’s going to take a while, since
I’ve been at it over a year and a half
and still don’t even have it halfway completed. My own journey will never be
fully complete. I want to always be growing, learning, emerging more into the
woman I am, the woman I for so long didn’t recognize or accept, the one who is
imperfect but beautiful nonetheless.
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June 2017 |
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